Celina Charlier- Flutist

Repertoire List

1-Chamber music

1.1- Flute and piano, or basso continuo (all already performed in concerts, except from

“Alegorias”, by Amaral Vieira)

- All sonatas for flute, by J.S.Bach, Händel, Telemann, Barsanti, Veracini, Dieupart; all Suites by Hotteterre, and a variety of sonatas by Corelli, Marcello, Vivaldi (Il Pastor Fido), Purcell, Loeillet, and other English, German, Italian, and French Baroque composeres;

- Sonatas by C.P.E. Bach;

- 6 W.A. Mozart Sonatas (from his early childhood);

- Introductions,Theme and Variations on “Die Trockne Blumen” (from the cycle“Die Schöne Müllerin”), by Schubert;

- Sonata by Prokofiev;

- Hungarian Fantasy, by Doppler;

- French: Fauré (Fantasie, Sicilienne); Poulenc (Sonata); César Frank (Sonata); Dutilleux; Frank Martin (Ballade); Georges Enesco (Cantabile and Presto);

- American: Robert Muczynsky (Sonata); Robert Piston (Sonata);

- Brazilian: all pieces(9) for flute and piano by Pattápio Silva; Sonatina by Camargo Guarnieri; all pieces by Osvaldo Lacerda (flute and piano, piccolo and piano, recorder and piano); all pieces by Oswaldo Franconi, Sonatina by Ernst Mahle; all pieces by Edmundo Villani-Côrtes (from which 8 were composed especially for Celina, who premiered them); Alegorias, by Amaral Vieira.

1.2-Flute and guitar (all already performed in concerts)

- History of Tango, by A. Piazzolla;

- Sonatina, by M. Castelnuovo-Tedesco;

- Trois Pieces, by E. Bozza;

- Serenata al Alba del Dia, J. Rodrigo;

- Entr’acte, by J. Ibert;

- Gran duetto concertante, by M. Giuliani;

- Extensive original repertoire from Impressionism and 20th century schools, extensive Baroque repertoire (for which Celina wrote the realization of the basso continuo for guitar, and extensive repertoire in Brazilian genres.

2- Solos with orchestra (Pieces already performed in concerts with orchestra are marked with the sign *)

- Suite in B Minor, by J.S.Bach*;

- Brandenburg Concertos, by J.S.Bach*;

- 6 Concertos, Opus 10, by A. Vivaldi * (performed La Tempesta di Mare and Il Cardellino, with orchestras);

- Concerto in F major, by G. Sammartini*;

- Suite in A minor, by G.Ph. Telemann *;

- Concerto, by C.P.E. Bach;

- Concertino, by C. Chaminade*;

- Carmen Fantaisie, by F. Borne/on themes by Bizet (performed only with piano);

- 2 Concertos by W.A. Mozart (personally prefer G major*);

- Concerto, by J. Ibert;

- Concerto, by Katchaturian;

- Concertino fugato for flute, oboe, and strings, by G. Holst *;

- Concerto, by E. Villani-Côrtes* (Brazilian/ composed in 2000, performed as a soloist with a symphonic band. The special version for flute and symphonic band was written by Villani especially for Celina, who premiered it with the S„o Paulo State Youth Symphonic Band, conducted by Maestrina MÙnica Giardini, in S„o Paulo, in 2007)).

3- Solo Flute (all already performed in concerts, except from 5 Incantations, and played in concert only some Caprices by Paganini, not all the 24)

3.1- Brazilian/ Latin American:

- 14 pieces especially composed for my graduation (undergrad.) recital at the São Paulo State University.

- Introdução e Choro, for solo alto flute (composed especially for me/ I premiered it in August/2002), by E. Villani-Côrtes;

- 3 Improvisations, by Camargo Guarnieri;

- Improviso, by Osvaldo Lacerda;

- 6 Estudios Tanguísticos, by Piazzola;

- El canto del Guirahu, by Ginastera.

3.2- French:

- 5 Incantations, by Jolivet;

- Densité 21.5, by Varese;

- Syrinx, by Debussy;

- Image, by Bozza;

- Piece, by Ibert.

3.3- Other:

- L’accendersi della notte, by Claudio Gabriele (contemporary/ extended techniques);

- Mei, by Kazuo Fukushima.

- Cassandra's Dream Song, by Brian Ferneyhough.

- Fish are jumping, by Robert Dick;

- Kokopelli, by Katherine Hoover;

- Partita, by J.S. Bach;

- Partita, by C.P.E. Bach;

- 24 Caprices, by Paganini.

- Extensive contemporary/new music repertoire (for solo flute, for solo flute and tape, and for flute and interactive computer music systems), as well as traditional western classical music chamber music repertoire (trios,quartets,wind ensemble,early music), Brazilian music instrumental genres (classical and popular), and fluency in improvisation in various styles.